:< 



\ 



^0 




k: 



Stlx\M4xx\^. 






w. 



LADIES' MANUAL 



E1S1BI^0IDEI(Y Kp ^TAMpilj. 



GIVING FULL INSTRUCTIONS IN MAKING 
THE STITCHES, 



Dry and French Indelible Stamping. 



TO WHICH ARE ADDED DIRECTIONS FOR MAKING 

WHITE AND BLACK STAMPING 

PAINT. 



^^ce, 



1' 



-?- 



,^1^ 




15 cio. 



^vi^^jt- 




^/ Copyright 1884, by 

F. TRIFET, PUBLISHER, 

19 FRANKLIN STREET, 
BOSTON. 



M 






MAKING THE STITCHES. 

Algf.rine Work. 
This style of work is appropriated pi-incipally for mats, or for various purposes of utility, 
requiring a substantial foundation, which is produced by worlcing the wool over cotton piping. 
The rows are done in a similar manner to the raised Berlin, with the difference of leaving the 
piping iu the work. For this work small patterns are preferable ; and it docs not require any 
embellishment of gold, &c., being only designed for useful purposes. 

Barukn Stitch. 
IS a flat conching used much in silk embroideries. It is useful in applique embroidery, and is 
worked by laying down a line of Jillosdle, to secure which a thread of another color should bo 
brought up from the back of the material on one side the fdlosclle and carried back to the other. 
The stitches which secure the Jilloselle should be perfectly equal in their distances from each other. 
Gold cords, and edging cords of all kinds are best fastened down in the same way, using fine sew- 
ing silk to fasten them on with. When the outline is finished, a small hole should be pierced with 
a stiletto in the material, and the cord cut off and passed through on the other side where it is 
fastened. 

Basket Stitch. 
Work three over two threads, called short stitch. The longest stitches are formed by 
working three over si.^ threads; this to be done alternately until the row is finished. Second 
row. — The long stitch to be placed under the short. Continue thus to diversify until the rows 
are all woi-ked. Kun under the long stitch, and over the short, a film of wool, for the purpose 
of producing the finish. 




>>'»1- X--::. No. 3. 

Bltton-Hole Stitch, (oudinaky.) Nos. 1, 2, 3 and 4. 
These four samples show as many different methods of setting button-liolo stitches along the 
edge of flannel, canvas, linen, or whatever fabric or article requires a border of this style. The 
effects are produced by changing the direction of the needle when making the stitches. In douig 
fancy work, or bordering any useful article that needs to bo gay, shaded silk will be very effective 
in the leaf style illustrated. 




Button-Hole Stitch, (embossed or tongue.) No. ."j. 
This style of stitch is much used in making borders on canvas or other materials, when fringe 
;o be the completion for the edge, and also in embroidering monograms and initials. 



THE STITCHES. 



Two rows of running stitches are made wherever the border is to be located, and over these 
the button-liole stitch is made. 






Chain Stitch, iplaix.^ No. G. 
The engraving represents the old-fashioned, plain chain stitch, which is still used for many- 
purposes, such as fastening the edges of applique work, embroidering slippers, mats, .stand-covers, 
etc. Each stitch is made in the same way as the one for which the needle is set. 

Chain Stitch, (twistkd.) No. 7. 
This stitch is made on the same principle as the plain stitch, except that the needle, instead 
of being set back into the preceding stitch, is set at the left side of it. It is used along edges as 
headings.to fringe, and sometimes to outline a design in Grecian or scroll work. Hems and tucks 
in flannel skirts may be stitched in this way in preference to machine or plain hand sewing. 

Chain Stitch, (vine.) No. 8. 
This stitch is often used upon hems, as are both the other styles, and sometimes above bind- 
ings of ribbon. It is often used to complete plain blankets, flannel petticoats, little under-shirts, 
or any article for which it seems a suitable finish. The stitches are made to the right and left 
alternately, and are longer and more open than the other varieties. 



^m 




Cross Stitch. No. 9. 
This is the first to be learned in doing canvas work. It is made by a back-stitch movement, 
with, the needle always pointing to the left, as will be observed in the illustration, except some- 



E>rBROrDERY. 



times in changing the direction of the design. Of Java or ordinary canvas two threads ejicli way 
is the limit for the stitch, oue-half of which crosses diagonally from left to right and tin; other 
lialf in just the opposite direction. Each stitch is completed before the next is commenced, 
although in some instances a line of half-stitches may be made from left to right and the other 
halves finished in the opposite direction. The result is the same, but the effect is not so smooth, 
and consequently not so accurate. 

Cross Stitch. (Persian.) No. 10. 

It is said that in the irregularity of this stitch, and the Oriental colors selected for it, consists 
its beauty when it covers a design. By varying the length of the stitch, almost any design may 
be copied. The silk or woi'sted is carried across two threads of the gromid for the first half of the 
stitch, and is then brought up between the two threads and the cross is made over the upper half 
of the long stitch. The illustration will clearly explain the method and effect. 

Feather Stitch Designs. Nos. 11 and 12. 

These two designs are very pretty for fastening the edges of ribbons or strips of contrasting 
fabric to position, or tor outlining borders, hemming flannels and embellishing fancy work gener- 
ally. It is done by the chain stitch movement, and is very simple. 




Filling for Embroidered Scollops. No. 13. 

The method illustrated for "filling in" scollops before the embroidery is done, is very suc- 
cessful in giving a roimded effect to the work when finished. The outlines are run, and then an 
under-filling, formed of chain stitching. Is made in two rows between the outlining stitches. After 
this, the usual button-hole stitch is employed to cover the filling and complete the embroidery. 

Flannel or Ornajiental Stitch. No. 14. 

Although this stitch is illustrated upon canvas, where it is sometimes used in a decorative 
manner, it is especially adapted to flannels which require a neat finish and will not permit of an 
elaborate one. It can be done in white silk floss or in colored worsteds, as preferred. 

German Diamond Stitch. 

Commence with two threads, and increase to fourteen; this to bo done across the canvas. 
Increase one thread each way. Decrease to two. Proceed thus imtil the row is perfected. 
Second row. — Begin two threads, the length way of the canvas. In the centre of each diamond 
work a gold or steel bead, finishing the border with gold twist. 



Gobelin Stitch. 
Bring the needle to the sunace up two threads, and insert it down over twenty-one threads ; up 
three, down twenty-two ; up four, dovm twenty-three. Continue in this manner to the end of the 
row. The stitches may be regulated in height to accord with the subject. This stitch is adapted 
for large patterns. 



THE STITCHES. 





No. 15. 



No. 16. 



Hem Stitching. No. 15. 

For handkerchiefs, linen-Iavm collars and cuffs, the ends of neckties, scarfs, etc., hem stitch- 
ing is much used. A few threads are drawn out of the article to be finislied, where the hem is to 
be felled ; and the felling is then done. After this, tlie ravelled or drawn space is separated into 
little spaces by luiotting a few of the threads togetlier at regular intervals with fine floss or cotton, 
and then the side nest the felling is separated into extra spaces by dividing with a sort of back- 
stitch taken through the knot, each cluster being first knotted together. A close inspection of the 
picture and a little ingenuity will enable one to easily hem-stitch any article desired, better than 
any written instructions can direct. 

Herrixg-Bone Stitch. No. 16. 
This is a stitch used tor joining the seams of flannel in a flat manner, in.stead of by the usual 
way, thus doing away with the ridge a fell makes. Being ornamental as well as useful, it is also 
used for decorati\'e purposes, and is seen upon tidies, towels, and bands of applied ribbons or 
fabrics. While the work is done from left to right, the needle is set in the usual way in a sort of 
back stitch. 

Irish Stitch. No. 17. 
This is a " filling in " or " grounding " stitch, and is made with alternate long and sliort back 
stitches, the short stitches of one row commencing at the ends of the long ones on the row above. 
It is generally done with zepliyr, which is not too thick, as every perpendicular thread of the can- 
vas is not over-worked — only the spaces between. The engraving will give you the proper idea 
of the effect and the manner of working. The German stitch is done in precisely the same way as 
the Irish, except that the stitch crosses the canvas diagonally. By exercising a little judgment 
and ingenuity, it will be seen that the worsted need only cover the surface. In doing it the regular 
way, the under side, as well as the upper, is covered with the zephyr, a method which many 
condemn. 




G 



EMBROIDERY. 



Janina Stitch. No. 18. 
This stitch is worked wliolly on the surface, except where tlie short back-stitch occurs along 
the outline, in making the stitches. A back-stitch is taken at each side, inserting tlio point at the 
next to the last thread and pushing it through to the outside again below the last thread. An 
examination of the picture will make this clear to the reader, as the needle is set for one of the 
back-stitches described. The enibroideiy is suitable for toilet articles, small mats, and stand or 
table eo\-ers, and, in fact, for any purpose for which satin or any other surface stitch is used. 
Silk (loss or English crewel is used in this embroidery. 

KsoT Stitch, (covered.) No. 19. 
Knot stitches are much used in embroidering upon linen and cambric, and arc usually done in 
linen and Moravian flosses. The engraving of figure No. 3 represents one style of knot stitch 
made h\ taking an ordinary back stitch, winding the floss twice about the needle and then draw- 
ing the latter through, with the left thumb held closely over the coil. The needle point is then 
thrust to the other side, almost exactly where it came to the surface, so as to locate another knot. 
This stitch is frequently adopted in making initials, handkerchief corners, etc. 



Knot Stitch, (wound.) No. 20. 
This is made as follows : The needle is set, wound, and drawn through, the same as in the 
first stitch, and is then thrust through the outside at the place indicated by the dot above the 
needle. This draws the wound thread into the knot illustrated which is just as pretty as its 
predecessor. 





Open Work Embroideuy. No. 21. 

This engraving is intended to illustrate the plan followed in making open embroider}-, etc., 
and the stitch employed. The design is first marked or stamped, and then run with floss. Each 
leaf or petal is then slashed with a sharp scissors, and the materials drawn back to the running 
with an over-and-over stitcli done with coarse linen floss. 



EussiAN Pattern. 
This pattern has a splendid appearance, provided the colors and shades are judiciously 
worked, which is to be done across the canvas in irregular lengths. The first stitch is to be formed 
of sixteen oven threads ; second, over twelve ; third, sixteen. Proceed to the seventh row, which 
forms the centre. Next row, pass over eighteen threads, commencing the same as first. The 
following row formed in the same manner, leaving four threads between tlie longest stitches in 
each row. Fill in the spaces with a diamond in the same way, composed of beads and gold thread 
alternately. Commence and finish with a half-diamond. 



THE STITCHES. ( 

Satin Stitch. No. 22. 

Is done in all sorts o£ flosses, embroider}' silks, zephyrs and crewels, and upon silk, satin, 
velvet, cloth and canvas. The pattern must be stamped and then "run" along all the lines with 
silk or worsted, and each leaf and petal, if of good size, must be crossed and recrossed with the 
same, all before the real embroidery begins. There must be no break in the edge of a leaf or petal, 
and consequently each stitch must be carefully and evenly set. In leaves, such as the one shown 
in the illustration, the center is defined by the meeting of the stitches, which must be exactly even. 
Satin stitch is simply an over-aud-over stitch, and generally both sides of the work look almost 
equally well. 

Spot Stitch. 

Is merely a short back stitch, and is used sometimes in filling in parts of leaves, to give 
variety to the work. Larger dots are run round with cotton, and after being filled in, by passing 
the cotton across the circle two or three times, the stitches are then worked in the opposite di- 
rection, one laying closely by the side of the other, as in satin stitch. 





No. 23. 

South Kensington Stitch. No. 23. 
At South Kensington, England, some ladies of the nobility have established an art school, in 
-which all styles of needle- work, antique and modern, are taught. One or two of these stitches have 
taken quite a hold upon the affections of the embroidery-loving woman, and for the want of a bet- 
ter name each is called "South Kensington Stitch." It will thus be seen that the article "a" is 
the appropriate one to use, and not "the," since there is more than one stitch belonging to the 
South Kensington School. The stitch, however, which has gone abroad in printers' ink as the 
South Kensington, is clearly illustrated by the engraving. It will be seen that It is nothing more 
than a back-stitch, the stitches being made to fit in between each other with no special regularity, 
except to produce perfect shading. The outline of the design is stamped, and must be perfectly 
oven when worked ; but the interior of the petal or leaf is to be filled in according to the shape, 
and shaded to the taste, or the pattern if there be one to copy. English crewel is the proper 
working worsted for this stitch. Another stitch, known in the school mentioned as the "Stem 
Stitch," is here called the "Outline." 



South Kensington Outline Stitch. No. 24. 
It cannot be clearly explained in words, but may be comprehended at once by inspection of 
the engraving. It forms an unbroken outline, which appears like a finely twisted silk cord. It is 
very effective on satin, and is used for such designs as statuary with flowing draperies, Cupid, 
game, etc., looking when finished, like a fine pen and ink drawing. One panel done on old gold 
satin, with dark olive embroidery silk, is exquisite. There is no filling in or shading ; it is simply 
the outline that is followed ; and also the strokes which would be made with a pen to represent 
drabery, or any of the other details of an unshaded sketch. It is very effective in foliage, butter- 
flies, animals, etc., and may be made on almost any article of fancy work, as well as used for 
marking linen. 



EMBROIDERY. 





Fn 


!BB 






i 






n 






w 








1 








w 








i 
















itr 
















1 


























m 





Staii Stitch. No. 25. 
There are four verieties of this stitch, which is seldom used to delineate a design, unless upon- 
coarse net or railroad canvas, for which the ordinary cross-stitch is not hea\y enough. The illus- 
trations delineate it very plainly, making it uxmecessarj' to give a special description of it. 

Stem Stitch. No. 26. 

This engraving shows a style of stitch largely used in malcing over-wrought vin&s. The de- 
sign is first run with floss, and then the work is done with a regular over-and-over stitch, which is 
clearly explained by the engraving. It is suitable for either white or colored embroidery, and is 
useful in vine patterns. 





[; 



Tapestry Stitch. No. 27. 
It is in this stitch that the old hangings and pictures, now so valued from their antiquity, 
were made. Although very simple, only those having some Icnowledge of the art of painting 
should attempt anything in this stitch, as the shading must depend upon the eye and not upon a 
counting of the stitches. Many of the old designs were painted upon the foundation canvas, which 
was of great assistance to the worker ; and we presume that some of the decorative art societies 
who are making a re\'ival of Gobelin tapestry a specialty, would be able to furnish the same style 
ct design. An artist in tapestry work can copy accurately from an oil-painted picture, with only 
the eye directing the coloring and shading. As wo have before mentioned, four threads of can- 
vas — two each way — mark out the space of one ordinary cross-stitch, and in this space two tapes- 
try stitches are made. They are worked from left to right, crossing four threads in height, and 
one in width, with a back-stitch movement, bringing the needle out toward the worker at the bot- 
tom of the line upon which she is working. The picture illustrates clearly the effect aud the 
method of making tapestry stitch. 



THE STITCHES. STAMPING. y 

Tent Stitch. No. 28. 
This is simpl}' a short stitch made over a single crossing of the canvas threads and all slant- 
ing from right to left, four tent stitches occupying the space of an ordinary eross-stitch. It 
produces a very fine grounding, and must be carefully and eVenly done. The movemont is the 
same as in the tapestry stitch, as will be seen by referring to the engraving, whicli illustrates 
"tent" stitch perfectly. 

Velvet Stitch. 
This stitch is considered very ornamental, and suitable for manj' purposes. Commence vrith 
three rows of plain cross-stitch ; leave three threads, and work three more rows the same as 
before. Continue thus imtil the canvas is covered. Work in French stitch, across the rows, with 
double wool, over strips of cardboard. This method will render it more easy to cut. The squares 
are formed of seventeen stitches, placing eacli the contrary way. 

Victoria Pattern. 

Pass the wool over six threads for the centre, then over five ; thus pi'oceed until the point is 
reached, which will be one thread. This half of the diamond is worked with shaded wool, and 
the other half of a different color ; the shades of each turned alternately the opposite way. Comer- 
stitch of a brilliant color. 

Wheel Stitch. 

Sometimes a wheel is used to give variety to work. It is first run romid, then carefully out 
out wlih a pair of fine scissors, do not cut to the extreme size you wish to make your wheel, but 
leave a little margin to turn back under, to make the whole firm. The space is now filled in 
evenly with long threads passing back and forth from side to side, and knotted in the center. The 
edge of the wheel is then carefully sewed over and over, or finely button-hole stitched. There are 
a great many designs for wheels, and considerble practice is required to work them, but when 
these stitches are once mastered a person can do all the different varieties of cotton embroidery. 

Wound Stitch. No. 29. 
This is a pretty stitch for embroidering grain, small leaves, or flowers having small petals. 
The accompanying design shows the method by which the cord is formed. After the needle is 
wound, the thumb of the left is held firmly over it until the needle is pulled through and the coil 
is firmly drawn in place. Two stitches only are necessary to form each kernel. The tiny stitches 
seen at the ends of the kernels may be lengthened to represent the barbs or real grain, if desired. 



"WITH F-A-I^CIilVnEISrT I'.A.TTEItnsrS. 



DRY STAMPING. 

This is done by a process known as pouncing. The process is as follows : — Place the pattern 
(rough side up) on the material to be stamped, placing heavy weights on the corners to keep it 
from slipping ; then rub the powder over the perforations with the distributor till the pattern is 
clearly marked on the material, (this can be ascertained by lifting one comer of the pattern 
slightly.) Then remove the pattern carefully, lay a piece of thin paper over the stamping, and 
pass a hot iron over it ; this melts the gum in the powder, and fastens the pattern to the material. 
The iron should be as hot as possible mthout scorching the cloth. Should the heat change the color 
of the material, iron it all over. Do not do any stamping by this process on a hot or damp day if 
it can be avoided. Keep the powder in a cool, drj- place. In stamping with light colored 
powders, the best way to fasten it is to hold the back of the cloth against a stove pipe or the face 
of the iron. Frencli stamping is better however for all dark materials. To take the powder up 
on the distributor, have a tin plate with a piece of woolen cloth glued on the bottom, sprinkle a 
little powder on the cloth, and rub the distributor over it, taking care to shake off all the powder 
you can ; enough will remain to stamp the pattern clearly. 



10 EMBROIDERY. 

DlSTKIISUTOIl. 

To make a Distributor, take a block of pino wood, two or three inches square, and tack a 
piece of soft felt on one side of it. When the distributor gets worn, cover it o\er with a piece of 
soft felt; a piece fi-om an old felt hat is just the thing. 

To Make Blue Powder. 

Take equal parts of pulverized gum damar and white rosin, and just enough Persian blue to 
color it ; mix well together. The Blue Powder is for light goods ; it will not work well on dark 
goods. 

Light Colored Dry Powder. 

Doe~ not work well enough to give satisfaction. We make the Blue Stamping Powder only. 
Any goods that the Blue Powder will not work well on, use the French Indelible Stamping Pai-it ; 
this must dry thoroughly before you work the design. 



FRENCH INDELIBLE STAMPING. 

This Is the best process for all dark materials, in fact, this and the blue powder are all that 
will over be needed. By this process a kind of paint is used instead of powder, and a brush 
insteail of a pouncet. Place the pattern on the cloth, smooth side up if you can, though either 
side will work well ; weight tlie pattern down as in powder stamping. Kub the paint evenly over 
the perforations, and it will leave' the lines clean, sharp and distinct. After the stamping is done, 
Vae pattern must be cleaned immediately: this is done by placing the pattern on the table, and 
turning benzine or naphtha over it to cut the paint, and then wiping the pattern dry on both sides 
with an old cloth, or, better still, with cotton waste, such as machinists use to clean machinery, 
this is cheap and absorbs the paint and naphtha quickly ; hold the pattern up to the liglit to see if 
the holes are all clear, if they are not, wash it the second time. Do not use the pattern for powder 
immediately after it has been washed; let it dry a short time, otherwise the moistened gum will clog 
the perforations. 

To Make White Paint. 
Take zinc white, mis it with boiled oil to about the thickness of cream, add a little drying, 
such as painters use. Get a painter to mix it for you. Keep in a tin pail (one holding a pint is a 
good size), have a piece of board cut round, with a screw in the centre for a handle, to fit loosely 
Into the pail ; di'op this on the paint and keep it from di-ying up ; add a litUe oil occasionally to 
keep the paint from growing too thick, and it will always be ready for use. 

To Make Black Paint 

This must be used with great care. If you are not going to make a business of stamping, use 
the Powder. This Black Paint can be used instead of the Blue Powder, but if the material to be 
stamped is to be washed, or is a delicate color, you had better use the Powder, as the Paint will 
not wash out. To make the Black Paint, take pui-e coach black, ground in oil, (you can buy it in 
small cans). Add a little drying, not too much, as it wants to be used thick. Do^it put any oil into 
it ! Apply with a brush. You should have a brush for each Black and White Paint. Tlic Black 
Paint does not want to be as thin as the White Paint. After using, wash the pattern with naphtha. 
Keep the naphtha away from the fire ! 

The Brush. 

Take a fine stencil brush or any brush with a square end, wind it tightly with a string from 
the handle down to within one-half inch of the end, this will make it just stiff enough to distribute 
the paint well. Keep the brush in water to keep it from drying up, taking care to wipe off the 
water before using. 

If these directions are carefully followed, the stamping will always be satisfactory. The 
great secret of success in this business is to frequently show new designs. 



DESCRIPTIVE PRICE LIST 

— OF — 

FOR SALE nv 

F. TRIFET, 19 Franklin St., Boston, Mass. 



TAKE ^NOTICE — That our prices are no higher, but our Patterns are superior, to 
many now offered the puhlio. 

No Patterns exchanged after once sent as ordered. 

When ordering Patterns, give the number of the Pattern wanted, or we cannot fill the order. 

Orders for less than 50 cents must contain 5 cents extra for postage and packing. 



DESCRIPTION. 


SIZE FKICE 


Bunch of Pansii's, 


3Jx5 


.10 


Tbiee i;ii!;e Butterrups and leaves, 


4 x41 


.10 


May Flower, 


3 x5 


.10 


Mar^criles, 


3 x5l 


.10 


Sweet Brier, flower, bude, and Icavea, 


2Jx4i 


.10 


Rose Buds, and Lilies of the Valley, 


3 x6 


.10 


Pinks, 


3 xi 


.10 


Bunch of Rose Buds and leaves, choice. 


4 x5 


.10 


Sprig of Jasmine, 


4 x6 


.10 


Two Violets, with buds and two leaves. 


2 X3 


.05 


Single Daisy with buds and leaves. 


JJx4 


.05 


Lilj-, buds and leaves, 


ljx4 


.05 


Forget-me-nots, 


lSx24 


.05 


Small Pansies, 


ljx2i 


.05 


Forget-me-nots and wheat. 


2 x3' 


.05 


Forget-me-nots, choice. 


2^x3 


.05 


Spray of Grass and Forget-me-nots, 


lJx2i 


.05 


Conventional Flower and Berries, 


2 x!i 


.05 


Single Poppy and bud, 


1 xU 


.05 


Single Morning Glory, 


1x14 


.05 


Single Conventional Flower, 


1 xi4 


.05 


Single Pink, 


1 xi4 


.06 


Single Rose and buds, choice. 


1 xH 


.05 


Half blown Rose and bud. 


1 xU 


.05 


Small bunch of Forget-me-nots and wheat 


41x6 


.10 


Small bunch of Daisies, 


4-x4i 


.10 


Small bunch of Bachelor's Buttons, 


4 x5 


.10 


Small bunch of Buttercups, 


2 x3 


.05 


Two Strawberries, with leaves, 


3 x4 


.05 


Two Buttercups, with leaves. 


1 x24 


.05 


Strawberries on stem without leaves, 


3 x3 


.05 


Lillies of the Valley, Ferns and Golden 






Rod, choice, ■ 


6Sx6 


.15 


Spiav of Woodbine, 
Blackberries and leaves. 


2'x4 


.05 


34x5 


.10 


Bachelor's Buttons and Ferns, 


4 X5 


.10 


Wild Rose, 


4 x6 


.10 


Fuchias, 


4 x6 


.10 



Daisy, 1 x2 .05 

Single Rose and buds, 4 x5 .05 

Str.iwherries and blossoms, 6 x6 .10 

Moss Rose buds, 4 x6 .10 

Wild Ruses and Dasios, rhoire, 4^x7 .16 
Two full blown Wild Roses, buds and 

leaves, choice,- 5 x5 10 

Daisi<s and Ferns, choice, 4^x5 .10 

Spra3' of Roses, cAoitT, 4x7 .15 

Curvi-d Spr.ay of Cherries and blossoms, S^xd .10 

Daisies and IJuttercups, 3 x42 .10 

Marguerites, choice, 5 x5 .10 

Branch with four clusters of Barberries, 31x64 .10 

Forgct-rac-nols, for front of ladies' faosc, 31x84 .15 

Conventional Rose and bud, 5'x5 .10 

Poppy, 44x4! .10 
Conventional design, for beading bonnet 

crown, 5 x5 .15 
A set of six designs for cup D'Oyles, 

from South Kensington Royal School, .75 
A set of twelve corner designs for D'Oy- 
les, etc., in F(U-get-me-nots, Pansies, 
Poppies and Buttercups, etc., from 

SontI) Kensington, choice, per set, 1.00 
Corner design of Ferns, Lilies of the 

Valley, D.a!.ie8, Forget-me-nots, choice, 6 x6 .15 
Corner design to match 56, Forget-me- 
nots and wheat, .15 
For end of cloak, scarf or stand cover, 
8 in. wide, 3 in. high. Wild Roses, 
Daisies, Forget-me-nots, etc., choice, .15 
To match 58, Poppy, Bluebells, Feme, 
etc., choice, .15 



Daisies and Love in the Mist, 3 x34 

Lilies of the Valley, 34x4 

Curved bunch of Strawberries, 4 x4 

Violets, with small sprays to match, choice, 34x4 

Bunch of Wheat tied with ribbon, 5 x8 

Three Apple Blossom.", 

Single Wild Rose and bud, choice, 

Daisy and Forget-me-nots, 11x2 

Rosebud and single Forget-me-not, 11x2 

Daisy for end of ribbon, lix2 

Sprig of Ferns 1 x3 

Little upright design. Daisies and Forget- 
me-nots, 15x34 

Cluster of Barberries, 24x4 

Sprig of Lilies of the Valley, 21x34 

Little bunch of Wheat, 2 .x4 

Sprig of Apple Blossoms and Grass, 

Little bunch of Wheat, 

Half blown Rose and bud, 

Crescent shaped cluster of Daisies, Wheat, 
Forget-rae nots aud Ferns, choice. 

Wild Roses, Buds and Grasses, 

Comer Fuchias, Bluebells and Grass, 

Comer Daisies and Grasses, 

Ox-eyed Daisies, 

Branch of Geranium, 

Bunch of Wild Roses, 

Sprig of Fuchias, 

Sunflower, choice. 

Daisies, 

Cluster of Daisies, 

Three f.at-tails. 

Ragged Bobbin, 

Sprig of Wheat and sprig of Forget-me- 
nots crossed. 

Bunch of Forget-me-nots. 

P.ansies, Lilies of the Valley and Forget- 
me-nots, 

Fern, . 

Bunch of Marguerites, 

Poppy, Daisies and Wheat, 

Oak Leaves and Acorns, 

Snap Dragon, 

Cattails, 



3 x6 

15.x3 
24x14 



44x74 

7 x74 

8 x8 
6 x3 
6 X5 
6 X6 
4 S64 



3 X41 
35x44 
34x4 
34x4 
24x0 
24x5 
24x34 
24x34 

2 X4 

3 X3 
3 x3 
3 X34 



44xS 



6 x9 
4 x8 
2 x4 



Verbena, 

Thistle, 

Bachelor's Buttons, 

Forget-me-nots, choice, 

Pansies, 

Poppies, 

Violets, 

Cluster of Cattails and leaves, 

Horseshoe of Flowers to enclose initial, 5 xG -15 

Clover and Buttercups, 

Clover, 

Poppies, 

Sprig of Golden Rod, 

Large spray of Golden Rod, choi 

Cluster of Buttercups, 5x6 

Cat.tails .and Grasses, G x3 

Wild Rose, Daisy, Forget-me-nots and Lily 

of the Vallev. choice, 4',i6 

Poppies aud Wheat, choice, 64x7 

Pansies. 4 x6 

Dandelion, 5 xOl 

E.asket filled with Violets, 54x6 

Basket lilled with Lilies of the Valley, 54x6 
Basket filled with Forget-me-nots 64x6 

Bunch of Wheat, 4 x7 

Cluster of Primroses and leaves, 6 x7 



STAMPING PATTERNS. 



014 145 682 9 * 



DESCRIPTION. SIZE 

Branch of Wild Roses, 6 x4 

Calla Lily, bud and U-avcs, 45x7 

Conventional design for bonnet r.rown, 6 16 
Conventional Pansles for beading bou- 

net crown, 7 x7 

Growing design of BuUercups, 3 x6A 

Wild Geranium, 6 x8 

Broken Peacock's Featlu-r, 7 x9 

Half wreath of conventional flowers to 

go under initials, etc., 10 incboe wide, 
Curved branch of Daisies for Ibermom- 

eter case, 7 inches hi?,'h, choice^ 
Curved branch of Roses for same, 7 

inches high, 
Two sprigs of Corn Flower, 3 xG 

Small Sun Flowers, 5 x5 

Sprig of Apple Blossoras, 4 x5 

Moss Rose, 4 x6 

Spray of Forget-rae-nots for thermometer 

case, 7 inches high, choice 
Bouquet of Poppy, Daiwy, Golden Rod 

and Grass, chotce^ 5 x6 

Thistle, 4 x.i 

Buttercups and Violets, 4 x5 

Curved Branch of Apple Blows for thcr- 

nmrarlcr case, 6 inches high, choice, 
Pi'iL^li lii:ii. li f Sumach and leaves, 5 x7 

r ' 1: ' ivcs and buds, etc., 7 xS 

( ': ]■■;■;■ iprs, 4^x6 

bill I I (I 1 I i!iL-8 in different positions, 

hlii.i.Ls 111 l.uL,'fs, Grasshoppers, etc., 

Buueh of Clover, correctly drawn, 6 x6 

Little spray of Golden Rod, 

Geranium and Bachelor's Buttons, 5 x5 

Daisies and Buttercups, 5 x8 

Daisies, Buttercups and Grass, choice, 5 x7 

Half wreath of Rose and buds to put 

under initial fur hat ribbons, etc., Ijxi 

Half wreath as above, 2 x6 

Golden Rod and Aster, choice^ 4 x5 

Oriental design, 4 x9 

Curved spray of Forget-me-nots and Lilies 

of the Valley, for thermometer case, 3 x6 
Beautiful spray of Daisies to match above 3 x8 
Grasses, choice. 
Small Cat-tails. 
Daisies and Wheat, 
M.asonic dei'ign, 

nd Fern leaves, 



rja>n 



: ' ' 1 I l-me-UOtS, f/M7lVe, 

Ml i'>'i ■..! i-iiiu-nots, 
ui" i'ui -ruHne-nots, 
of Forget-me-nots, 
l-me-nots, Lilies of the Valley and 



nx2 

2^x4 
3 x3^ 
24x3 
2 z3 

1 x2 
2^x3^ 

2 x3 
2 x3 
1412 
lAx2 



■ith abonlc 



]'\Trlill- ti, 



in her hand, 4 i 
L- Greenway, 



1. high, 



Fe.diiiij the Swan, 

Little Boy sailing a boat, 

Little Girl feeding the chickena, 

Lillle Boy tishing, 

Girl talking to the dog, 

Boy -with kite, 

Girl jumbJugropc, 

Boy fishing with a net, 

Girl and Lamb, 

Girl and Boy running, 

Boy and Girl with hoop, 

Girl driving hoop, front view, 

Girl driving hoop, back view, 

Boy and Girl dancing, 

Little Girl with a big bat. 

Two Little Girls taking a walk. 

At the pump, 4 

Girl feeding birds, 3 

Boy carrying a pail of water, 3 

Boy blowing soap bubbles, 3 

Girl with her doll, 3 

Girl with rake, 3 

Boy with pitchfork, 3 

Girl feeding the bird, 3 

Soldier boy, 3 

Girl jumping rope, 3 

Girl with elate and school books, 3 

Bny presenting a sunflower to a Uttle girl, 3 

Girl to match 209, 8 



?i 



DESCRIPTION,^ 

Girl with bouquet, =" 

Girl wth basket of flowerB, 
Awkward Boy (indescribable), 



SIZE PRICB 



do. 



do. 



Boy with branch of fruit, 

Girl with fan (to match 211), 

Girl v.-ilh b.asket of llowers, , 

(rill feeding birds. 

Girl with dull. 

Puppy Dog and Spoon, 

Head of Oscar Wilde, 

Mouse, 

Kitten. 

Little C.it sitting upright. 

Fairy feeding j'oung bird. 

Bird on a branch, 

Large Butterfly, 

Bird on sprig, 

Bird, very pretty. 



3 x2 
3.i 

5 x6 
5 x.i 
4^x6 

4 x4 



I -^ 



2 X3 

3 S5 
6 x6i 



Kate Greenway figure, choice. 

Lady and G irl walking, 

Girl and Ball)-, back view, 7 in. high, 

Girl with bouquet. 

Lady leadiuy: child, 

Five Little Girls taking hold of each 

other's dresses, 
Little Girl sitting on the fence, choice, 
Cock-a-doodle*do on a tub, choice, 
A box of I'uppics, 
A basket of Kittens, 
Two Uttle Dogs, 

Sparrows after I3utterfly, choice. 
Dug with basket of flowers in his mouth, 5 x6 
Girl with Umbrella, 7 

Boy with Cane, 7 

Swan. 5 l7 

Umbrella, very choice, 6 x6 



65 



6 x8 
6 x6 
6 x6 

6 x6 



Children under 

Girl looking over the gate, 

Girl, choice, 

Boy diiving hoop. 

Boy running. 

Old Lady, 

Curved Fern, 

Curved branch of Woodbine, 

Single stalk of Golden Kod, 

Bouquet of Golden Rod and Daisies, 

Curved branch of Strawberries, leaves 

and blossoms, 
Bouquet of Poppies and Wheat, choice. 
Curved bouquet of Daie^ies aud Cat-tails, 
Blackberry Vine, 
Bouquet, of Daisies, choice. 
Branch of I'ansies, 
Wild Sun Flower, 

Handsome bouquet of Daisies and grasses 
Branch of Wild Roses and buds. 
Oblong wreath of Furgel-me-nots, Lilies 

of the Valley, etc., 



6U7 



4 x7 
4 xlO 
4 xlO 
4 xlO 

6 XlO 
8 XlO 

ljx9 

7 XlO 
4 xS 
7 x9 
6 XlO 
OiixlO 
6'x7 



7 x9J 



Wrealli of Daisies, t)<?rycAoice, 8 xS 

Bouquet of Daisies for panel, 65x12 

Curved branch of Pinks, 2Sxl4 
Cresccntshapedbranchof Yellow Daisies, 4 xl2 

Bunch of Hop Vine, 3 xll 
Peacock's Feather, 18 inches long, 

Maidiu Uair Fern, 3.\x9 

Fern, 3 x8 

Wreath of Jasmine, choice, 9 xlO 
Handsome curved bouquet of Poppies, 

Daisies, Cat-tails, etc., a good bouquet 

for beginners to take lessons 



274 B.-autifuI < 



cd spray of Roses and buds 6 sU .35 



Nasturtiuns, 

Curved tapering spray of Poppies, Pansiet 

and Wlieat, 
Taperint,' bouquet of Poppies, Daisies, 

Cat-tails, etc., 
Handsome half wreath bouquet of Roses, 

buds and leaves, 
Bouquet of Pansfes, Fuchsias, Bachelor's 

Button.";, etc.. 
Branch of Autumn Leaves, 
Bouquet of Wild Sun Flowers, Daisies, 
Cat-tails, and Medow Grass, No. 13, 
Bouquet of Poppies, Bachelor's Buttons, 

I^aisies, Wheat, etc.. 
Handsome bunch of Wild Roses, 
Bouquet of Yellow Daisies, 
Beautiful cresceut shaped bouquet of oil 

kinds of flowers, good for beginners to 

take lessons on, 



10x10 
10x10 
9 X9 



UBRAR'^ 



OF CUiNn. 



0UH5 682 9 



Conservation Resources 



